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All
Manzanar photographs are from the National Archives Registry
unless otherwise noted. Copies of these pictures can be obtained
directly from the National Archives.

These images are some of my favorite. There nearly 500 Manzanar
internment images in the National Archives files. I encourage
you to visit the archives and peruse the many photographs. Once
you click on the icon above and are taken to the archives, type
in "Manzanar" and then press "Display Results"
and the images will be displayed in sets of nine.
You might observe, as I did, that the internees appear rather
unnaturally joyous in these pictures. I don't think that having
been dislocated from their homes and businesses, forced to live
in a harsh desert environment and confined to barracks with no
insulation would have made them this happy. But as Jeanne Wakatsuki
points out in her book, Farewell to Manzanar, Japanese
Americans told each other very quietly to "Shikata ga
nai" ("It must be done", or, as my Japanese
friend says, "Suck it up [and get on with life]." Perhaps
this is what encouraged them to put a smile on their face.
The photographer for the majority of these images was Dorthea Lange.
Text excerpts followed
by a "JWH" are from Jeanne
Wakatsuki Houston & James D. Houston's book "Farewell
to Manzanar" |
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Sports
at Manzanar

6th grade girls
playing volleyball |

6th grade boys
playing baseball. |

Women's basketball. |

"In
addition to the regular school sessions and the recreation program,
classes of every kind were being offered all over camp: singing,
acting, trumpet playing, tap-dancing, plus traditional Japanese
arts like needlework, judo, and kendo. The first class I attended
was in baton twirling, taught by a chubby girl about fourteen
named Nancy. In the beginning I used a sawed-off broomstick with
an old tennis ball stuck on one end. When it looked like I was
going to keep at this, Mama ordered me one like Nancy's from
the Sear, Roebuck catalog. Nancy was a very good twirler and
taught us younger kids all her tricks. For months I practiced,
joined the baton club at school, and even entered contests. Since
then I have often wondered what drew me to it at that age. I
wonder, because of all the activities I tried out in camp, this
was the one I stayed with, in fact returned to almost obsessively
when I entered high school in southern California a few years
later. By that time I was desperate to be 'accepted,' and baton
twirling was one trick I could perform that was thoroughly, unmistakably
American - putting on the boots and a dress crisscrossed with
braid, spinning the silver stick and tossing it high to the tune
of a John Philip Sousa march." (JWH)
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Women's basketball. |

Members of the
Chick-a-dee softball team. The squad leaders, with hands on bat,
are: Ritsuko Masuda (left), and Marion Fuji. |

Maye Noma behind
the plate and Tomi Nagao at bat in a practice game between members
of the Chick-a-dee soft ball team. |
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Journalism at Manzanar

"In the
months to come they [my family] would draw together even more
closely, just as I would hold to them - my moment of separateness
a foreshadowing, but not yet a reality. Our family had begun
to dwindle, along with the entire camp population. By the end
of 1944 about 6,000 people remained, and those, for the most
part, where the aging and the young. Whoever had prospects on
the outside, and the energy to go, was leaving, relocating, or
entering military service. No one could blame them. To most of
the Nisei, anything looked better than remaining in camp. For
many of their parents, just the opposite was true." (JWH)
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Shizuco Setoguchi
assistant in the Manzanar Free Press. |

Joe Blamey,
editor of the Manzanar Free Press. |

Takeshi Shindo,
Reporter for the Manzanar Free Press, and his girlfriend
Toshiko Mikami. |
Manzanar
Free Press in operation. |

War posters
such as this did little to help the Japanese Americans after
the internment camps closed. |

Manzanar Free
Press in operation. |

"...it was announced that all the
camps would be closed within the coming twelve months and that
internees now had the right to return to their former homes.
In our family the response to this news was hardly joyful. For
one thing we had no home to return to. Worse, the very thought
of going back to the west coast filled us with dread. What will
they think of us, those who sent us here? How will they look
at us? Three years of wartime propaganda - racist headlines,
atrocity movies, hate slogans, and fright-mask posters - had
turned the Japanese face into something despicable and grotesque.
Mama and Papa knew this. They had been reading the papers. Even
I knew this, although it was not until many years later that
I realized how bad things actually were.
In addition to the traditionally racist organizations like The
American Legion and The Native Sons of The Golden West,
who had been agitating against the west-coast Japanese for decades,
new groups had sprung up during the war, with the specific purpose
of preventing anyone of Japanese descent from returning to the
coast - groups like No Japs Incorporated in San Diego, The Home
Front Commandos in Sacramento, and The Pacific Coast Japanese
Problem League in Los Angeles. Also, some growers' associations,
threatened by the return of interned farmers, had been using
the war as a way to foment hostile feelings in the major farming
areas.
What's more, our years of isolation at Manzanar had widened the
already spacious gap between the races, and it is not hard to
understand why so many preferred to stay where they were. Before
the war one of the standard charges made against the Japanese
was their clannishness, their standoffishness, their refusal
to assimilate. The camps had made this a reality in the extreme.
After three years in our desert ghetto, at least we knew where
we stood with our neighbors, could live more or less at ease
with them.
Yet now the government was saying we not only were free to go;
like the move out of Terminal Island, and the move to Owens Valley,
we had to go. Definite dates were being fixed for the closing
of the camp." (JWH)
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Agriculture at Manzanar

Plots 10 x 50
foot "hobby gardens" between blocks of barracks. |

Plots 10 x 50
foot "hobby gardens" between blocks of barracks. |

Plots 10 x 50
foot "hobby gardens" between blocks of barracks. |

"In June
the schools were closed for good. After a final commencement
exercise the teachers were dismissed. The high school produced
a second yearbook, Valediction 1945, summing up its years
in camp. The introduction shows a page-wide photo of a forearm
and hand squeezing pliers around a length of taut barbed wire
strung beneath one of the towers. Across the page runs the caption,
'From Our World . . . through these portals . . . to new horizons.'"
(JWH)
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Guayule rubber
experiment project lath house. |

Ogura Shuichi,
plant statistician for the guayule rubber experiment project. |

Frank Hirosawa,
research rubber chemist (seated) trying to access the guayule
rubber production. |

"Then the
word went out that the entire camp would close without fail by
December 1 [1945]. Those who did not choose to leave voluntarily
would be scheduled for resettlement in weekly quotas. Once you
were scheduled, you could choose a place - a state, a city, a
town - and the government would pay your way there. If you didn't
choose, they'd send you back to the community you lived in before
you were evacuated.
Papa gave himself up to the schedule. The government had put
him here, he reasoned, the government could arrange his departure.
What could he lose by waiting? Outside he had no job to go back
to. A California law passed in 1943 made it illegal now for Issei
to hold commercial fishing licenses. And his boats and nets were
gone, he knew - confiscated or stolen. Here in camp he had shelter.
The women and children still with him had enough to eat. He decided
to sit it out as long as he could." (JWH)
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Johnny Fukazawa,
foreman of fields Numbers 3, 4, 5, and 6, heading a 20-man field
crew on the farm project. |

George J. Yokomizo,
hybridizer for the guayule rubber experiment project. |

Spades for garden
work at Manzanar. |

"Papa read
the papers and studied the changeless peaks, while all around
us other families were moving out, forcing our name ever higher
on the list. Every day bus loads left from the main gate, heading
south with their quotas, filled with Mamas and Papas and Grannies
who had postponed movement as long as possible, and soldiers'
wives like Chizu, and children like Kiyo and May and me, too
young yet to be out on our own. Some of the older folks resisted
leaving right up to the end and had to have their bags packed
for them and be physically lifted and shoved onto the busses.
When our day finally arrived, in early October, there were maybe
2,000 people still living out there, waiting their turn and hoping
it wouldn't come." (JWH)
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H. Kawase, 20
(left), and M. Sakai, 22, operate tractor preparing ground for
sowing onion seeds. |

War posters
such as this did little to help the Japanese Americans after
the internment camps closed. |

Johnny Fukazawa's
farm crew. |
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Ghosts
of the Past 3 - Bruce Morgan's '49ers |
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20-Mule-Team
History |
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More
Manzanar Japanese Internment Camp Images |
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More
Manzanar Japanese Internment Camp History |
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Manzanar
High School Portraits & History |
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More
Manzanar History & Manzanar Free Press |
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This page was last updated on
23 August 2007 |